Show-up, people. Just fucking-show-up.
Tonight, Yoo-Mi and I were privileged to attend a performance of Yvette Nolan’s smart, gripping new work, The Unplugging, at The Arts Club Theatre Company’s Revue Stage. The play, set in post-apocalyptic Canada, explores the emotional need for community, the compulsion to generosity, and the go-to sustainability of traditional ways of living – and the dangerous ways in which these virtues are challenged by the venality of a culture that has convinced itself that survival is a zero-sum game. The dialogue is tight, the production simple, direct, and effective, and the acting (by Jenn Griffin, Margo Kane, Anton Lipovetsky) stunningly superb. By all rights, the 198-seat theater should have been packed.
Instead, there were twenty of us comprising the audience.